Jingle Bulls.
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Jingle Bulls.
Once or twice each month I share more thoughts, essays and materials related to the blog on my newsletter, which you can subscribe to here.
Compose the silence after the music.
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222.1 Make your aesthetic position very clear in your piece.
222.2 Write a piece for two guitars in which one player only plays in the 2nd position and the other only in the 22nd.
222.3 Leverage your social position to support other musicians.
222.4 Change the position of your note stand so that daylight reaches your face when you practice.
222.5 Position yourself in front of a music store and talk to people who enter or leave about their favourite piece of music.
222.6 What other Exercises would you put here if you were in my position?
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Fact-check Chopin’s Fantaisie-Impromptu in C sharp minor Op. 66.
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Write a solo piece in which the musician suddenly takes out her phone and tries to call Alvin Lucier, then places the phone on the note stand and continues playing.
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Give every bar in your score a title.
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Let go of the dream of having a music career based on flying around in airplanes. It is a dream from another age, and future peers will not look back on it with kindness.
In solidarity and with gratitude for the XR movement.
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Compose exactly the same piece twice.
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Breathe with the sounds around you.
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Learn to give better gifts.
What happens when you start making them
more timely,
more personal,
more useful,
more delightful,
better crafted?
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