Take something simple and make it incredibly complicated.
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Take something simple and make it incredibly complicated.
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Compose a piece for three instruments or voices.
The sound of Voice 1 changes slightly on every 7th note of Voice 2.
The sound of Voice 2 changes slightly on every 7th note of Voice 3.
The sound of Voice 3 changes slightly on every 7th note of Voice 1.
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Play with the same hesitant relief
of that first hummed lullaby
after your crying baby
has finally, finally
found sleep.
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Create a graphic score from scraps of empty staff paper.
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Choose a random text – a news article, a poem, anything.
Replace every “s” with a “k” and vice versa.
Then swap every “e” with an “o” and vice versa.
Read it to the next person without any explanation, and with a straight face.
Kign up fer tho a100ql nowklottor whoro I kharo nowk, theughtk, okkayk and matorialk rolatod te tho bleg enco er twico por menth.
On Venus, days last longer than years.
And, unlike other planets, Venus rotates backwards (“retrograde rotation”).
Compose music for Venus.
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Listen to a piece of music on repeat for half an hour every day for a week.
Each time, write down everything you notice – instruments, sounds, structures, techniques, proportions, associations, etc – adding new detail each time.
Number your notes, starting with Day 1 – 1 for the first listen, Day 1 – 2 for the second etc.
As you may find yourself thinking about the piece during the day, write down interesting thoughts, associations, and everything that may be interesting.
Note how your thoughts about the piece evolve, and how they and your perception of the piece develop over time.
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Next time you open a piece of music software, note at least three things that it does well and as many that it doesn’t do well. How do these properties influence the music you’re working on, and, ultimately, how do they influence your artistic practice?
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Compose a melody that makes use of every interval from prime to octave at least once and no more than three times.
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