Merge two existing melodies without scrambling the order of either one.
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Merge two existing melodies without scrambling the order of either one.
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Create tension and release through careful manipulation of just one parameter.
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Write a song about a concert.
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No stalgia.
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Use reviews of your previous work as material for new lyrics.
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Reinvent the wheel.
See if it works the way you would have thought.
If it doesn’t, extrapolate a new logic from there.
Who ever said that a rhythmic grid had to be evenly spaced?
Can you imagine working with a tonal system in which interval relations change slightly everytime fifth time a certain pitch is played?
What if we didn’t think in terms of “tracks” when composing, when mixing?
Going back to first principles can reveal hidden potentials and new angles from which to see the familiar.
„The stuttering engine makes for a memorable ride.“ (diary entry, 2008)
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Channel the sadness.
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Encourage courage in other artists.
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Your music is like a dream. What’s the sound of false awakening?
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